Do you know Pandora?  If you’re in the United States, where Pandora is legally available, you may have come to enjoy this awesome uber-customizable music radio over the past years.  If you’re not in the U.S., perhaps you’ve discovered the beauty of anonymous proxies :cough:, which I’m not going to mention here :p.

But perhaps you didn’t know that Pandora has become available on mobile phones!  More good news:  It’s available for free on phones that run the Windows Mobile operating system, free on Sprint phones, and free on (some versions of) BlackBerry phones.  Ironically, it’s also free on the iPhone, and I say ironically because AT&T apparently is charging—I swear I am not making this up—$8.95 per month to its other mobile customers for the privileges of using Pandora.  I mean, I love Pandora and all, but even if I were insane enough to be contributing to the income of the evilness that is AT&T, I sure as heck wouldn’t fork over that much dough for Pandora.  For an on-demand mobile music service?  Perhaps.  But for streaming radio?  You’ve got to be kidding.

One other note on the Pandora Mobile offerings:  Apparently, I’m not supposed to be able to access Pandora Mobile because T-Mobile phones are not supported.  Which is odd, because I’m enjoying streaming music via Pandora on my BlackBerry Curve (on T-Mobile) right now.  Go figure.  I also shouldn’t mention that I was also able to do this while in Ireland a couple of weeks ago (listening to, appropriately enough, The Corrs on St. Patricks day ).

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Anyway, if you’re an iPhone user or a non-AT&T subscriber, give Pandora Mobile a go!  If you’re an AT&T subscriber, well, heaven help you, and for reasons way beyond this Pandora issue.

[Gee, Adam, tell us what you really think about AT&T :D]

The other day I got a (yet another) piece of inbox spam on the otherwise cool service last.fm.  And no good can come from spam, right?

Not sure what got into me, but I actually went to the site (which I’ll not name, so as to not potentially give them any customers).  And you know what?  They were doing something brilliant:  they were selling high-fi music tracks for 20 cents a piece.  No, that’s not in itself brilliant; Russian sites doing the same thing are and have been a dime a dozen.  What struck me as brilliant was their way of allowing music lovers to explore the *full length* of songs while still enticing them to buy the track.

Back in high school, I was not only a band geek, but a choir geek as well!  But I did far more than just sing your standard choral music .  I loved composing, arranging and teaching, and often performing short songs in vocal quartets, and I founded my very own singing telegram business (“The Birthday Brigade”) to support this habit.

For $3, students could hire us to sing a special birthday song to one of the friends—in class, no less!  We even had teachers and administrators hiring us to sing for other non-students.  And by the end of our two year run, we earned enough money to purchase a sizable first-ever music CD collection for our school library (and back in the 80s, this was a big deal!).  Oh, and we also sang the national anthem at various school sporting events; one of the trios even got to sing at Dodger Stadium!

This morning at work I was chatting with a colleague about my morning commute, and I don’t know what got into me… but for some odd reason I confided that I wished to be a big katamari ball, rolling my way to work and grabbing everything in my path.

Then, adding to the strangeness and freaking out my poor katamari-less colleague, I started singing “Na NAAAAAAAAA na na na NA na na na, na Na na na-na naaaaaaaaaaa!”

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What… you aren’t familiar with Katamari Damacy, the psychedelically funky and happy video game in which you, Little Prince, must help out your hungover King of the Cosmos dad by rolling up everything on Earth to make stars that your daddy accidentally splatted during his previous nights’ bender?  If you have a PS2, *go out and get this game now!*  You won’t be sorry, except perhaps for the temporary loss of productivity and your embarrassment from singing jazzy goofy charming jazz/j-pop tunes to all your friends.

And, indeed, the musical score is that great.  Listening to it is just bound to cheer anyone up.

Unfortunately, trying to actually buy the soundtrack is not nearly so pleasant.  Amazon?  Nope (they’ve only got a misleadingly-labeled CD that’s inspired by the Katamari tunes… it doesn’t actually contain the songs!).  iTunes?  Nope.  Yahoo Music? Sorry.  Rhapsody?  Sadly, no.

So far, I’ve only seen it via Play Asia... >$30 for the CD + shipping :-(.  I’m actually willing to pay that much, but not very pleased about the idea.

Anyone know:
1) Other places to get this CD for less money?
2) WHY such a charming, beloved score is not available via an American label?
3) Why Amazon.com and other American retailers would carry the game, but not the soundtrack?

I’m guessing most of you probably just think of me as an Internet geek, but I used to be a classical pianist geek, choir geek, and jazz pianist geek.  I have performed over 200 times, won a bunch of Bach festivals, and studied under jazz greats Ashley Alexander, Frank Mantooth, and others.  This does not inherently make me a wonderful person, but it does (IMNSHO) give me a right to talk smack about some fellow musicians and a nasty trend which I’ll detail below.

Sadly, though, there’s little proof of my musical history, or at least little proof that I can share; for instance, I recently called the music department of my alma mater (Northwestern University) to get copies of my jazz performances in ‘90-92, and alas, they no longer have the recordings.  Ack! :-(  So you’ll just have to trust ol’ Grumpy Gramps today.

So what’s my cranky rant for today?  Well, I’m sick and tired of jazz musicians ignoring their audience… more than that, downright ignoring the beauty of musicality.  More and more often, I hear jazz performers—young students and adults alike—musically belching through way-overlong solos that—despite oft-impressive technical wizardry (wow, he can play 743 notes a minute!)—bore everyone to tears… perhaps even the solo’ist himself.  And I think back to one of my fabulous jazz teachers at Northwestern who gave me a delightfully straightforward and valuable piece of advice:

“Play less.  Say more.”

Lots of us love music and we love to share it; I think that’s even more powerful than simply “grab lots of music for free”—it’s the sharing that excites us, motivates us.  Music is a shared experience!

Why, then, hasn’t anyone made it easy to share music snippets legally from a simple iframe, a simple widget that someone can cut and paste or even drag and drop into their blog?

Let me give an example of how painful it is to share (within, IMHO, fair use) a music snippet:
1) Identify song you want to share with others.  Determine that it’s DRM’d.  Ack!
2) Remove DRM (yes, I know this may technically be illegal, but frankly I don’t give a damn.  Call it civil disobedience)
3) Use software to grab a relevant thirty second snippet and save it as an mp3.  Make sure tags are still embedded.
4) Upload to server.
5) Before all of this, download and install a good flash player so others can listen to your snippet whether on a Mac or PC.
6) Embed the appropriate code into your blog entry.

Check out this entry on the emotional wallop of strings for an example of the result. 

I think it took me at least 20 minutes just to prepare, upload, and post this one clip.  Does that sound very conducive to sharing to you?!

So you know what massively puzzles me?  Why on earth hasn’t any major player (Amazon, Rhapsody, Napster, Apple, etc.) made this process easier… not only facilitating the discovery and sharing of music by the increasingly powerful blogosphere, but increasing subscriptions and download sales?!  Let me explain how I envision this working…

Unless you’re a fan of the RIAA or a bitter, clueless artist… I urge you to run, er, click, not walk to go hear Weird Al’s new ditty: “Don’t Download This Song.” [warning: music autoplays].

I’m looking forward to the music video promised for this evening, but in the meantime, you can hear the song in its entirety (and, of course, download it!).

Brave Combo is 26-year-old (!) “hot jazz quintet, a rollicking rock’n'roll bar band, a Tex-Mex conjunto, a sizzling blues band, a saucy cocktail combo, a deadly serious novelty act, a Latin orchestra, and one of America’s dance bands par excellence.”  [see their bio page] But they kick ass for many other reasons, too.

For those of you with short attention spans, fine… you can skip the rest of my brilliant commentary and go directly to Brave Combo’s music. 
A variety “dozen sampler”(tm) I recommend:  Breslau, Canto a la salsa, Down at the Friendly Tavern, High Bounce Polka, Hokey Pokey, My Tears are Nothing, No Work Today, Spaghetti Twist and Twirl, Swing it Baby Swing, The Hustle, Three Ducks Ondo, Waltz in C Minor,

Aside from the fact that this band is made up of great musicians that play a huge variety of contagiously fun music, it’s damn cool that they’ve made decent-quality one-minute segments of a ton of their songs available on the Web, no?  In fact, their Web site is informative, entertaining, and pretty comprehensive—a sad rarity for band sites, IMHO.

Here are other things that highlight why Brave Combo is an amazingly kick-ass band:

First, a quick note to those SEOs who are still reading my blog hoping for detailed Google search-related tidbits.  It’s still unlikely.  If I ever do post nuggets of search wisdom here, I’m sure you’ll hear about it .  With that said, Google is moving ahead to improve communications, both internally and externally; I recently enjoyed visiting and discussing Search Quality issues with Googlers in Berlin and Dublin and also had a great time meeting with folks at the London Search Engine Strategies Conference.  Photos online soon, I hope!  And yes, we’re further extending the coolness of Sitemaps and related Webmaster tools, improving documentation, and much more. 

Okay, enough about that, though.

I wanted to bring back the musicness of my blog and so today I’m featuring a catchy tune by my friend Tat Tong… a lousy Webmaster (sorry, Tat) but a fine musician and award-winning sound recording engineer.

The short song below, Revocation, was composed, arranged, and sung entirely by Tat.
NOTE: Broadband connection required.  Sorry, I’m not dealing with bandwidth detection and uploading multiple / inferior clips anymore.

At Tat’s recording studio Web site, you can hear more of his recording work and learn about the awards he’s garnered.

I’m a member of some of those all-you-can-eat, er, all-you-can-listen-to online music services and I’m constantly amazed at the fun and beautiful music I stumble across.  Once, on a goofy whim, I did a search for the string “Chicken” and found a shockingly cool selection of funk, pop, and jazz songs.  More recently, I did a search on “waltz” since I’ve grown increasingly enamored with this music and dance form.

One of the beautiful songs that cropped up was First Impressions, featured on the album “Appalachia Waltz” with cellist virtuoso Yo-Yo Ma.  You can hear a sample by clicking on the player below and can enjoy other serene and joyful songs and learn more about the album on this Amazon.com page.

This simply-structured and sensitively-performed song packed an emotional punch for me, just as so many other songs have done in the past.  And this got me to thinking:  What is it about the instrumentation and orchestration of songs that moves me… and moves so many millions of others?  I’m not even taking into account lyrics here, which involve a whole different (albeit related) issue.  Just the sounds.